“Reece yanks at the strings behind Agnes with devilish glee, and builds upon the chops he earned in his previous two horrors to make Agnes his most spellbinding and formally refined picture yet.”
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“…to call the story that unfolds “fascinating” is an understatement.”
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“Blind Ambition is a feel-good and affirming documentary that speaks volumes to the conviction we invent as we reconcile traditions ingrained with those discovered, Old World with New World.”
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“All the characters of the film are pawns—to a certain extent—and this is where the film taps into an unmistakably “sci-fi” brand of dread, its world’s technology distorting conceptions of autonomy and selfhood into the horror of something unknown.”
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With [Werewolves Within] being released domestically on June 25th and on VOD July 2nd, Thomas Stoneham-Judge invited creator and editor-in-chief of Into:Screens, Seth Eelen, to talk about it.
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“…[Wyatt] Rockefeller’s first foray into feature length narrative filmmaking delivers on many respectable fronts.”
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“…the film’s tightly framed shots convey with lurid detail the strain Alex enacts on her body during row sessions; the film’s set pieces abstracting place and time into pure sweat and adrenaline.”
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“Through Samay’s story—his toying with coloured lenses and his fashioning of a sewing machine-powered shutter for his projector—our interest and appreciation for projection and the filmmaking process is renewed.”
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“The presentation works well in conjunction with the story to make the unsettling nature of the film creep in slowly and arrest your attention.”
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