“Blood for Dust is a slow burn, for sure, but its intentional direction from Rod Blackhurst allows the tense atmosphere to build.”
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“He Went That Way offers a narrative that is a stale and aimless tonal mess…”
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“Somewhere Quiet excels at keeping uncertainty alive and prominent - perhaps even to a fault.”
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The Cave Of Adullam is a cinematic presentation - both topically and stylistically - that is worthy of the big screen.
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“Reece yanks at the strings behind Agnes with devilish glee, and builds upon the chops he earned in his previous two horrors to make Agnes his most spellbinding and formally refined picture yet.”
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“…to call the story that unfolds “fascinating” is an understatement.”
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With [Werewolves Within] being released domestically on June 25th and on VOD July 2nd, Thomas Stoneham-Judge invited creator and editor-in-chief of Into:Screens, Seth Eelen, to talk about it.
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“…[Wyatt] Rockefeller’s first foray into feature length narrative filmmaking delivers on many respectable fronts.”
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“…the film’s tightly framed shots convey with lurid detail the strain Alex enacts on her body during row sessions; the film’s set pieces abstracting place and time into pure sweat and adrenaline.”
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“The presentation works well in conjunction with the story to make the unsettling nature of the film creep in slowly and arrest your attention.”
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“[Essie Davis and Thomasin McKenzie] are highlights in a story that is built for - and succeeds at - leaving a strong impression on audiences.”
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